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: Playing a double stop at the same volume as a single stop requires double the bow weight. Finding the exact "middle angle" between two strings is essential for even pressure.
The book is available through major music retailers like Edition Peters and covers a vast array of intervals and techniques:
Simon Fischer ’s approach to violin pedagogy has revolutionized how string players view technical mastery. His seminal work, , is not a mere collection of fingerings but a comprehensive "scale-study book" designed to dismantle the physical and mental barriers of playing two notes at once. Core Philosophy: The Scale-Study Method simon fischer double stops pdf
: Fischer notes that many scale books omit perfect fourths, yet they are vital for shaping the hand's intonation and preparing for works like unaccompanied Bach. Summary of Book Content
For those looking for bite-sized insights, Simon Fischer frequently publishes PDFs of his "Basics" series in The Strad magazine. Many of these, such as "Intonation: testing, relating, comparing" and "Left hand: reaching back," directly support double-stop facility. Interview with Simon Fischer: Double Stops - Violinist.com : Playing a double stop at the same
Fischer identifies several critical areas that often lead to tension or poor intonation in double-stop playing:
: He advocates for keeping the hand as soft and free as during single-note play. His "mobility exercises" encourage players to move the hand around while keeping fingers in tune to discover where to "give and release". His seminal work, , is not a mere
Unlike traditional scale books like Carl Flesch's, which present the final result (the complete scale) without guidance, Fischer’s breaks down every complex movement into its simplest components.
: By isolating facets like shifting, intonation, and string crossing, the technique is "reassembled" naturally. Key Technical Pillars
: A single scale in thirds might be preceded by 19 preparatory exercises, with the full scale only appearing as the 20th step.
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